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A record of every audition you tape — what you did, who saw it, what came of it. Thirty seconds of talking after each one, so the patterns are visible instead of remembered.
Built for the actor who tapes every week and hears nothing back.
No form. You talk, it structures — and what you didn’t say stays visibly unknown instead of being filled in.
Voice — thirty seconds
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The record
It asks one question
Which take did you send?
“The last one.” — folded into the record above.
Typed — the fallback
The record
From memory: you probably can’t say. From the record:
JUL 14 · Ninth Ward · Ostrander
The olive henley. Three takes, the choice was “Listened more than talked” — and it came back a callback.
Same actor, same year. The only thing that improves on this chart is what you know.
Tapes logged
4
Resolved
2
Patterns stays shut until 30 resolved outcomes.
Patterns
Too early to score the choice.
The takes need more outcomes.
The prep has no verdict yet.
The gut is still on trial.
No wardrobe verdict yet.
It holds these open rather than guessing early.
Tapes 1–12
Nothing to say yet, and it says so.
12–25
First shapes, with embarrassingly wide bands.
25–40
Claims that hold, each with its n attached.
40 and past it
The pre-tape brief starts earning its place.
The actors who get better aren’t the ones who book. They’re the ones who remember.
Booking is mostly outside your hands. What you did in the room is not — and nobody keeps that record for you.
The record
Silence, passed, callback, pin, avail, booked — the rungs an auditioning life actually moves on. Deepest rung reached is a tape’s primary fact; a zero renders as a dash, never a percentage.
What you actually did in the room: the read you committed to, the tactic, how many takes, which one you sent, and what your gut said walking away.
Project, role, role function, type, office — who has seen you, how often, and on what cadence, held across years instead of afternoons.
Wardrobe, prep hours, lead time. The unglamorous column where superstition goes to be checked against a sample.
No industry averages. Every base rate on this screen is your own.
Every claim carries its sample size, and softens when the sample is thin.
Unknown stays visibly unknown. No field is ever invented to look complete.
If you stop paying, every tape and every side you logged stays readable and exportable.
Nobody has vouched for this product, and no line below is quoted from a person. Each one is generated from the record on this page, and ships with its sample size.
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Swing 5 of 18 · safe 3 of 24. Correlation, not causation — the swings may be the material you already owned.
Tapes that advanced averaged 3.1 takes; tapes that went silent, 4.6. Correlation, not causation — the tapes that ran long may be the harder reads.
Tapes with 2 hours of prep or less advanced 8 of 12; tapes with more, 0 of 10. This is not a case for prepping less.
3 of 9 tapes in it advanced; everything else combined, 5 of 33. Correlation, not causation — but the shirt costs nothing.
Median gap between call-ins, 20 days; the last was 62 days ago — longer than twice their own spacing.
Tapes you rated 4–5 advanced 12% of the time; tapes you walked away hating, 20%. The two sit within ten points of each other.
21 of 44 call-ins land there, and 2 of 8 advances. Not a verdict on your range — a fact about demand. n = 44.
Tapes made 44 · rooms that saw you 7 · deepest rung Avail, JUL 6.
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The live product — click around in it.
Fourteen captured from your own mouth; the rest computed from them and marked as such.
14 captured · 15 derived. Every derived line renders with its n and disappears below its minimum sample.
Thirty seconds in the car — project, takes, what you wore, the choice, how it felt.
The ramble becomes fourteen structured fields. Offices and projects merge under one name; unknowns stay visibly unknown.
Outcomes land against choices, takes, wardrobe and rooms. Every claim carries its sample size — and softens when the sample is thin.
Before the next tape: the one thing to fix, the trap you fall into, how your take counts have run, and what you did the last time this office saw you.
From memory: a guess. From the record:
Office recall — Fine/Mott
One plan, everything in it. Your record is yours either way.
Everything unlocked, no card up front. After that, $5 a month or $40 a year — four months free.
If you lapse, everything you logged stays readable, searchable and exportable. A lapse only pauses new entries and the coaching.
There is no one else on this chart — no population, no percentile. Your advance rate, computed from your record alone, drawn with the width it honestly deserves. Below 12 resolved tapes it refuses to show a rate at all.
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The number doesn’t go up because you logged it. It becomes knowable.
This will not get you cast. It cannot tell you why you didn’t book. It will never tell you that you’re close.
It is for the actor at tape 400 with credits, and the actor at tape 12 — and specifically for the actor who has gone a hundred tapes without a booking and still has to walk into the next one.
If you want to be told you’re close, there are other apps.
Your next tape is either evidence or it is gone.
Your record stays readable and exportable, paying or not.